Stand

I've been here before, sitting alone with a grab bag of feelings spread out along a spectrum of color between absolute resolution and complete defeat. I opened my mouth. I had just finished speaking with passion about what's right and what's wrong, using only my past and the precious spot on the ground I stood on. I spoke, not for myself, but for people who were at that very moment struggling, hustling to find creative freedom. Who was I to represent them? What vote elected me to be an obstacle? All I can tell you is that I saw a void of conscience so wide that we may not recover from it. No, every time you kill an artist's heart, you take away from the world as a whole. 


No, this wasn't the first time I put myself in this situation.


Sometime during the waning years at Playhouse I was sitting on a chair downstage center speaking to a house full of actors. It was difficult to get the words out, to even take the breath required to make a sound. We were about an hour or so away from opening the doors to the audience, and I called everyone involved in the day's productions, crew included, into the theater. This was to be the first of two speeches that weekend, and there I sat, a moment before word one, with a roomful of eyes on me. 


Deep breath. Eye contact. I never thought I'd be here. It went something like this. 


"All of you know, as you can see in the schedule, that this one act workshop is essentially over and done. You're the last people, the ones who are going to close this series out. Now, this wasn't a decision from the top, it came from me. What we ran into was a conflict of priorities in the schedule, and you were going to be given the basement. You would only be scheduled for matinees, and I thought you deserved better. I cancelled the series rather than cheapen it. All of you know my philosophy behind this; There is not a single actor here who represents the best we have to offer. All of you, by virtue of your dedication and talent, represent the standard for what we learn here. I believe in the standard. I don't believe in the best."


"Because this is coming to an end, I needed come here and apologize for losing the workshop, for losing the theater company for you. I'm sorry. I failed you."


This is where my emotions started winning the battle of restraint. 


"There was something I should have done to preserve this for you, something I didn't do or know how to do to save this series. I lost this opportunity for you. I need you to know that I'm still here and fighting for you. If you need a director, I'm in, no questions asked. If you can't find a play you believe in, I'll write one for you. All of you deserve a chance, and I lost this one."


The second time I delivered the speech, it wasn't any easier. The actors were overwhelmingly supportive and immediately responsive. They knew that for ten years, this was my entire life. I had work, I had Playhouse. Lower on the list of priorities was sleep, friends, romance, even my own projects. I felt I was only meeting them in the middle; They stayed with me through rehearsals that ended at 2am on a weeknight. They endured my pages of notes after performances. Their moments of truth and honesty on stage validated all of my sacrifices, more so than any accolades, and I never doubted my dedication to them.


I eventually left the program, totally foreshadowed by the moment I stood in Studio Two and realized that "...this will all go away. It's important now, but someday this will be a memory." A handful of productions later, it all went away and my life was redefined. 


I never stopped loving the artist, though. The very second we make the connection, the unspeakable knowledge that we are communicating on a whole other level, they become part of a family I owe loyalty to...and feel responsible for. I crave the sight and experience of someone growing as an artist, the light bulb that goes off when they learn something new or the discovery of having expressed something that defied explanation just a moment before. I love the process of searching, of dissatisfaction with everything that has been done before. I admire the hunger. I know the lonely struggle to find an audience.


And when someone is set up to fail, when even the odds are needlessly stacked against them, something alarming stirs up inside me. I sat for a moment after the talk, and I collected myself. I was coming down from 80% passion and 20% logic, and I sat because I was dizzy...or maybe a little lost...but I was right. What I inherited, however, was a heightened awareness that left unguarded, artists will be forgotten. That should never happen. Talent needs to be celebrated. 


I have, for the moment, an unanswerable struggle. I have the feeling that this leads towards something important, but am I the person to do anything about it? Who am I to represent the creative community? 


As always, if nobody else claims the spot, can I remain quiet and be satisfied with the outcome? I think you know the answer.